Painting is where the formal language of my moving image work emerges from, full of colour and a compulsion towards sensuous detail. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
Painting is where the formal language of my moving image work emerges from, full of colour and a compulsion towards sensuous detail. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
Painting is where the formal language of my moving image work emerges from, full of colour and a compulsion towards sensuous detail. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
Painting is where the formal language of my moving image work emerges from, full of colour and a compulsion towards sensuous detail. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
INGEST / digest / excrete
In collaboration with
Nicole Morris
[SPACE], 2018
...
With support from:
Arts Council England
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
INGEST / digest / excrete
In collaboration with
Nicole Morris
[SPACE], 2018
...
With support from:
Arts Council England
Photography:
Tom Carter
'INGEST/DIGEST/EXCRETE' is a multi stranded project initiated in 2018 by Maria de Lima and Nicole Morris. The project set out to explore how collaboration can offer impetus for making and, through a network of friendship, create spaces for shared dialogue, exchange and production.
The first instalment of the project took the shape of an exhibition, 'INGEST/digest/excrete', hosted by [SPACE], London. New work produced reacted to the female body as a contracting and expanding space responding to the urban environment through acts of absorption, consumption and expulsion.
Originating from a series of email conversations that began in January between Glasgow and London we have used writing to explore how expanded definitions of the domestic could be experienced as portable. Paying close attention to the transference from the private to the public, we set out to explore how toil and customs relating to the ‘home’ can play out in public space. The writing, and images it draws in, focus specifically on embodied accounts of aging, intimate relationships, child rearing, part time jobs and social technologies and how these affect the processes of making, discourse and display.
To accompany the exhibition we produced the podcast 'REGURGITATE', broadcast on Resonance FM, with contributions from: Alberta Whittle; Alice Martin; Jasleen Kaur; Josie Cockram; Katriona Beales; Rebecca Ackroyd; Rebecca Bellantoni and Susan Conte.
You can listen to the audio recording here.
A talk on the project was featured at the symposium ‘Making, Place, and Protest with Decorating Dissidence’ at Queen Mary, University of London.
Click on images to enlarge and view details including title, medium and date.
/DIGEST/
In collaboration with
Nicole Morris
OUTPOST, 2019
...
With support from:
Arts Council England
'/DIGEST/' took the format of a residency at OUTPOST in May 2019, focusing on how people cohabit and the often forced political and social compromises that happen here. Taking the dinner table as a starting point for considering a site where individuals seek to find common ground, we hosted a series of Skype dinners. The dinners sought to extend our collaboration as well as widen our conversation. Across six days, we held two lunches and three dinners, discussing with other artist friends topics around inter-relational care, heritage, urban survival, resistance, art making, labour and technology.
Our Skype dinner guests were:
Hana Janeckova, tea
Holly Graham, lunch
Maria Farrar, lunch
Hannah Leighton Boyce, dinner
Sofie Alsbo, dinner
'/DIGEST/' was broadcast on RTM.fm part of Artlicks Weekend Radio 2019.