Painting is where the formal language of my moving image work emerges from, full of colour and a compulsion towards sensuous detail. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
Painting is where the formal language of my moving image work emerges from, full of colour and a compulsion towards sensuous detail. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
Painting is where the formal language of my moving image work emerges from, full of colour and a compulsion towards sensuous detail. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
Painting is where the formal language of my moving image work emerges from, full of colour and a compulsion towards sensuous detail. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
INGEST / digest / excrete
In collaboration with
Nicole Morris
[SPACE], 2018
...
With support from:
Arts Council England
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
‘F.L.A.G.’ is a single channel video structured as a three part digestive act, placing the body in direct relationship to architecture through moments of ingestion, digestion and excretion. Using a bilingual script to weave in photos from my personal archive documenting family in Mozambique with architectural scale models in the studio. House and body are portrayed as sites of containment inflected by histories of European colonialism. Through surreal acts in ingestion/expulsion the video attempts to address how this history might be digested.
The video was originally exhibited at ‘Cleave’, part of the GI 2018 across the city programme, alongside two sculptures, ‘Shelter (hot blue scream) I & II’.
Additional screenings at:
Outpost Members' Show selected by Jessica Warboys, Outpost, Norwich (2019)
Outpost Open Film selected by Stuart Whipps, Outpost, Norwich (2019)
Click on images to enlarge and view details including title, medium and date.
Selection of paintings
2015 - present
...
Painting is where the formal language of my moving image work emerges from, taking on intense colour saturation as a means to create heat and refer to particularity of place. It is a medium that offers my practice materiality and a different time code to that of digital video. I approach the movement of imagery across both media as a form of translation, curious about what details are lost or gain visibility and the different cultural connotations underlined by each medium.
Crop 4, 2020
Oil on ply
Five panels, each 21.7 x 28.5 cm
Crop 4, 2020
(detail)
Crop 3, 2015
Oil on ply
Five panels, each 21.7 x 28.5 cm
Crop 2, 2015
Oil on ply
Five panels, each 21.7 x 28.5 cm
Crop 2, 2015
(detail)
Growth, spurt, 2016
Oil on paper
90 x 70 cm
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Rose Sequence (growths) I & II, 2016
Oil on canvas
120 x 80 cm
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Still life (blush) no.6, 2016
Oil on canvas
30 x 40 cm
Maria I, 2016
Oil on canvas
70 x 100 cm
Untitled, 2016
Oil on paper
29 x 42 cm each
Think Big!, 2016
Screen print on paper
89 x 68.5 cm
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Rose Sequence (cut) I, 2016
Oil on canvas
80 x 100 cm
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Rose Sequence (cut) II, 2016
Oil on canvas
80 x 100 cm
Crop 1, 2015
Oil on card
Four panels, each 23 x 29 cm
RA Schools installation view, 2015
Works from left to right:
Still life (blush) no. 3: oil on canvas
Shelf sculpture (baby blue factory): galvanised shelf, cardboard, acrylic paint
Cut Out: oil paint on cardboard
Still life (blush) no. 3, 2015
46 x 40.5 cm
Cut Out, 2015
Oil on cardboard
85.5 x 122 cm
Plantas no. 4, 2015
Acrylic paint on A4 laser print mounted on aluminium
70 x 50 cm
